One of world’s most exciting and provocative young filmmakers, Joshua Gen Solondz has spent over a decade enacting trance-like rituals on both film and video that confront the viewer with an unsettling vision of domesticity and the human body. Picking up a mantle left by luminaries like Stan Brakhage and Luther Price, Solondz—who often appears in his work in various states of self-induced peril or subjugation—perverts his materials through a deft application of superimpositions, flicker effects, and montage editing, creating startling juxtapositions within and between frames. As physical and bracing as they are intimate, these one-of-a-kind works wrest a strangely poignant poetry from an at times unforgiving world.