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Poster for Low Tide + Stop the Pounding Heart

Low Tide + Stop the Pounding Heart

Dates with showtimes for Low Tide + Stop the Pounding Heart
  • Sat, Jun 21

Director: Roberto Minervini Run Time: 192 min. Format: DCP Release Year: 2013

Double feature

Part of “A More Perfect Union: The Films of Roberto Minervini,” a complete retrospective of the Italian-born director’s features running from June 13-23 at 2220 Arts + Archives and Brain Dead Studios. Copies of Textur #7: Roberto Minervini, a monograph published for the 2024 Viennale, will be available to purchase at each screening.

About Low Tide:
Bearing traces of Huck Finn and Antoine Doinel, Low Tide’s nameless adolescent hero (Daniel Blanchard) runs errands and cares for his substance-abusing mother (Melissa McKinney). Roberto Minervini’s second feature casts nonprofessionals to magnificently truthful effect, and the writer/director demonstrates his characteristic sensitivity for small Texas towns and their resilient denizens. Blanchard is seldom off-screen, as Minervini follows him on his “rounds” from the nursing home where his mother works to a slaughterhouse, but also to the river to catch frogs and fish. Minervini does not mute the hardships of his protagonist’s life, nor does he deny him the right to be 12 years old.

About Stop the Pounding Heart:
Sara (Sara Carlson, playing herself) is part of a devout Christian goat-farming family with 12 children, all home-schooled and raised with strict moral guidance from the Scriptures. Set in a rural community that has remained isolated from technological advances and lifestyle influence—no phones, TVs, computers, or drunken-teen brawls—the subtly narrative film follows Sara and Colby, two 14-year-olds with vastly different backgrounds who are quietly drawn to each other. In Minervini’s intimate documentary-style portrait—the third in the Italian-born filmmaker’s Texas trilogy—Sara’s commitment to her faith is never questioned. It’s the power of the director’s nonintrusive handheld-camera style that reveals his protagonist’s spiritual and emotional inner turmoil about her place in a faith that requires women to be subservient to their fathers before becoming their husbands’ helpers. By also presenting an authentic, impartial portrayal of the Texas Bible Belt, Minervini allows humanity and complexity behind the stereotypes to show through.

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