World premiere of new restoration

Roberto Minervini in person, Q&A moderated by Variety’s Peter Debruge.

Part of “A More Perfect Union: The Films of Roberto Minervini,” a complete retrospective of the Italian-born director’s features running from June 13-23 at 2220 Arts + Archives and Brain Dead Studios. Copies of Textur #7: Roberto Minervini, a monograph published for the 2024 Viennale, will be available to purchase at each screening.

About the film:

In writer/director Roberto Minervini’s feature debut—the first in the filmmaker’s Texas Trilogy—Ana (Soledad St. Hilaire), a middle-aged woman living alone in a border town, is told she has terminal cancer. With just weeks to live, she asks new acquaintance—and ex-con—Jack (Mean Gene Kelton) to drive her to a faith healer in Marfa, Texas. They are joined on the road by friendly British artist Harold (Alan Lyddiard). Though the trio have few commonalities in worldview or life experience, time spent together brings out unexpected affinities. What might have been a sentimental medley of clichés emerges as a graceful character study, with Minervini revealing a keen ear for regional expression and a generosity of spirit comparable to Sayles and Linklater.